One of the paintings in the European Paintings Gallery that I recall seeing for the first time is the portrait of Juan de Pareja by Velazquez. When I saw this masterpiece I was moved to tears. The portrait, so lifelike yet not of the tedious hyper photo realism quality so often depicted in todays times, is an exceptional work of art. Pareja feels as though he could speak, his expression is emotive, his eyes watch us engaging us in an intimate dialogue. What’s most striking about this portrait is the handling of the edges and the transitions between light and shadow masses. Velazquez imbues this portrait with such atmosphere which makes it so alive. Every time I see this portrait I am captivated and moved by its amazing beauty.

A must see for me is the portrait of Lizzie Farren by Thomas Lawrence. What a painting, what a portrait! The bold brush strokes, the shimmer of the light satin, the clean flesh tones, the plushness of the fur, and the light effect! Not to mention her whimsical expression, such a delightful portrait! Purportedly Farren was displeased with Lawrence’s depiction of her and requested that the painting be altered to reflect a fuller figure as a slender figure was not fashionable. Lawrence was 21 years old when he painted Farren’s portrait. The wall color of the Museum’s gallery wall is perfect for this portrait. Next time you’re at the Museum observe the wall colors and see how they impact the paintings.